Winner of the 2013 Tony Award® for Best Play
Winner of the 2013 Olivier Award for Best New Play
Directed by Jillian Faulk
Choreographed by Donny Gersonde
THE STORY: 15-year-old Christopher has an extraordinary brain: He is exceptional at mathematics but ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched, and he distrusts strangers. Now it is 7 minutes after midnight, and Christopher stands beside his neighbor’s dead dog, Wellington, who has been speared with a garden fork. Finding himself under suspicion, Christopher is determined to solve the mystery of who murdered Wellington, and he carefully records each fact of the crime. But his detective work, forbidden by his father, takes him on a thrilling journey that upturns his world.
Content warning: This production contains occasional very strong & coarse language appropriate to the honest and realistic portrayal of the story and characters. There is discussion and representation of violence, divorce, adultery, abuse, death of an animal, and abandonment. A copy of the script can be made available to students and their adults to review prior to auditioning. We strongly recommend this production for students ages 16 and older, but the director will consider younger actors with discussion and approval.
Casting: Ages 16-20
Roles 20
Auditions are taking place in-person at Studio East- 10718 NE 68th Kirkland 98033.
Auditions September 3 & 4; 6-9pm
Callbacks September 5; 5-10pm
– PREPARE: Two contrasting 1-minute modern monologues. British accent is optional.
If you are auditioning for both productions, please prepare 1 32-bar selection of a standard musical theatre song for Tollbooth and one 1-minute modern monologue for CIDN.
If you need assistance with material please see our audition resources folder.
– COMPLETE: Submit your audition form online including informal headshot photo and resume. Audition Form Link
– VISIT: This audition resources folder has some recommended audition songs, as well as tips and advice for a successful audition. Also check out our website for our upcoming audition workshop and coaching offerings.
Rehearsals begin September 9
Rehearsals are Monday – Friday 6-9pm
Starting 9/30 some rehearsals go from 5:30-9:30pm
Schedule subject to change
Fri 10/11 8pm
Sat 10/12 8pm
Sun 10/13 7pm
Thu 10/17 7pm
Fri 10/18 8pm
Sat 10/19 8pm
Sun 10/20 3pm *accessible performance*
If you have questions please contact Artistic Director Carolyn Agan, [email protected]
Based on the book by Norton Juster
Directed by TBA
Choreographed by Megan Connell
THE STORY: The exceptional tale of Milo, Tock and a certain magic tollbooth is brought splendidly to life on stage in The Phantom Tollbooth TYA. Adapted from Norton Juster’s beloved children’s book, this inventive musical features a melodious score by Arnold Black and witty lyrics full of wordplay by Pulitzer Prize and three-time-Tony-winner, Sheldon Harnick (Fiddler on the Roof, She Loves Me). Even surrounded by dozens of toys, Milo is bored. Nothing interests him at all. The Phantom Tollbooth comes to the rescue! Transported to the Land of Wisdom, Milo is thrust into adventure when told Princesses Rhyme and Reason need rescuing to bring peace between two kings. They are divided over which is more important: words or numbers. Knee-deep in danger, language and math along the way, Milo learns everything has a purpose. Upon his return home, he realizes there is never a reason to be bored in a world full of so many things to discover.
Casting: Ages 8-19
Roles 25
Auditions are taking place in-person at Studio East- 10718 NE 68th Kirkland 98033.
Auditions September 3 & 4; 6-9pm
Callbacks September 6; 5-10pm
– PREPARE:1 32-bar selection of a standard musical theatre song showing range and character. 1 1-minute or less monologue, poem, or storytelling piece showing large character choices.
If you are auditioning for both productions, please prepare 1 32-bar selection of a standard musical theatre song for Tollbooth and one 1-minute modern monologue for CIDN.
If you need assistance with material, please see our audition resources folder.
– COMPLETE: Submit your audition form online including informal headshot photo and resume. Audition Form Link
– VISIT: This audition resources folder has some recommended audition songs, as well as tips and advice for a successful audition. Also check out our website for our upcoming audition workshop and coaching offerings.
Rehearsals begin September 10
Rehearsals are Monday – Thursday 6-9pm, & Saturdays 1-6pm
Starting 9/30 some rehearsals go from 5:30-9:30pm
Schedule subject to change
Sat 10/12 11am & 3pm
Sun 10/13 11am
Wed 10/16 11am *School Show*, 4pm *accessible performance*
10/19 11am & 3pm
10/20 11am
Each season the Studio produces 6 to 9 shows involving hundreds of youth and playing to thousands of audience members. Production experience is a great way to develop teamwork, responsibility, and confidence. It demands that you focus, listen, follow directions, and take risks – all while having a lot of fun!
Each production is open to students of a particular age range with opportunities through the year for young actors. Every show is different! Please check the audition information posted above to see if your young actor is eligible.
Auditions are mandatory for each production and are held a few weeks before rehearsals begin. Each show rehearses for 5-7 weeks prior to performances.
Auditions can be intimidating if you’ve never done them before. Please consider enrolling in our audition workshops if you would like some guidance. Workshops are offered quarterly and are an inexpensive way to prepare and build confidence! You can also check out our Audition Tips and Resources (at the bottom of this page) for valuable information.
Advanced theater students ages 10 to 19 may audition for Studio East’s intensive training programs during the school year and in the summer. Studio Intensive offer 9 months of training from September to June. Learn more and to sign up for an audition visit. Learn more about our 6 week summer program, Young Actors Professional Intensive.
Studio East has a Scholarship Fund to offer partial scholarships for all of our programs to students who could not otherwise participate. Apply for Financial Assistance here.
https://www.musicnotes.com/– A great website for finding sheet music for your audition song.
Ace Your Audition – help with everything from resumes to casting calls.
What should I do when filming an audition piece?
Treat it as you would an in-person audition. Make sure you still slate your name and monologue or song name. Please read any instructions on the audition page to see if there are specifics about how they would like you to film.
Should I film more than once?
Yes, this is your opportunity to give us your best take. However, please don’t edit within your audition piece.
Do you have any other video audition tips?
We recommend you find a quiet place to film and make sure it is free of background noise.
I’ve never auditioned before. Where do I start?
We offeraudition workshops throughout the year that teach you the basics about auditioning. Select from Audition 101 and Audition Coaching. Call our office if you have any questions at 425.820.1800!
How do I know when auditions will be held?
Audition information will be posted on our website 4-6 weeks before the audition dates.
What do I need to prepare?
Check the audition listing for specific requirements such as Shakespeare or classic monologue. Generally, for a non-musical, prepare a memorized monologue, not to exceed a minute and a half. For a musical, you’ll generally prepare a memorized song and a contrasting monologue, not to exceed two minutes total. Be expressive, confident, and positive!
What do I need to bring?
You’ll need sheet music for your song, a resume, and your performing arts experience and training. You will also need a recent, disposable photo, and the audition form which can be downloaded from the audition page for that show.
How do I find a good monologue?
For younger students, any piece of text that tells a story is appropriate. You can find these in monologue books at the library, on websites, or take a passage from your favorite novel. For older students (12 and up) you can find monologues from plays appropriate to your age, again in books at the library, on websites, or from plays with young characters (Anne of Green Gables, Annie, Oliver, A Little Princess, Alice in Wonderland, etc). Come to our quarterly Audition Workshops for examples and more details!
How do I choose a song and find sheet music?
This can be tricky, so it’s best to find a musical person to help you. You should choose a song that you enjoy, that fits your vocal range, and that is of a similar style to the show you’re auditioning for. It’s best not to use songs from the show you are auditioning for. Make sure you bring sheet music with the piano part as well as the vocal part, in your key.
You can use YouTube to see other performers sing the songs you’re interested in. You can often find scores or song books at the library or sheet music online. Come to our quarterly Musical Workshopsfor examples and more details!
Can I sing a song that was written for someone of the opposite gender to sing?
If you can sing and act the song well, go for it! The basic guidelines are to choose a song that is appropriate to your voice and the show you are auditioning for. What style of song does the character you are most likely to be considered for sing? If it is a sweet ballad, choose that kind of song for your audition. If that character needs a strong belt range, use a similar song in your audition. Your goal is to be called back and have the chance to sing and read from the script!
Can I sing my song a cappella (without piano)?
We would prefer you have sheet music in the correct key for your song. If you cannot get sheet music, tell the directing team you’d like to sing a cappella. The Musical Director may ask you to sing “Happy Birthday” or some other simple song with piano accompaniment after you sing your prepared song.
Are there any songs I definitely shouldn’t bring to an audition?
Songs with very difficult piano parts (Jason Robert Brown, some Sondheim, etc.) are not a good idea. Songs that are very popular and too difficult for you to sing well are also not a good idea (Defying Gravity, I’m Alive, etc). And as stated before, don’t bring a song to your audition that is from the show you are auditioning for. The director will decide which roles they might see you in and invite you to sing those songs at callbacks.
What happens after the audition?
You’ll receive a phone call letting you know if you’ve been “called back”. (For some productions, you may be invited to callbacks at your audition.) Callbacks are the second round of auditions, when you’ll read scenes and/or sing songs and/or learn a dance from the show. To help you prepare, come to our quarterlyCallback Workshopsfor practice reading scenes and more details! After callbacks, you’ll receive a call letting you know whether or not you’ve been cast.
How do the directors make casting decisions?
The directors come into auditions looking for actors to fit the specific characters in the show. Each director has a unique perspective and vision of what the characters are like, but they are all looking for confidence and expressive performance. Acting, singing and dancing skills are all considered when assessing which roles a student could fill. The callbacks give the directing team a chance to test their initial thoughts, and challenge students to bring their best efforts to a role. They are often surprised! Overall, the directors want to put together the best possible cast to make the show successful.
How can I get feedback on my audition?
Studio East staff will always be happy to give you feedback from the directing team. Call and ask to speak with Lani Brockman for details.
Sign up for ourAudition Workshop seriesfor more information!
$650 – $700
Studio East has a Scholarship Fund to offer partial scholarships for all of our programs to students who could not otherwise participate. Apply for a scholarship here.
More questions on tuition or scholarships? Contact our Production Stage Manager Cassie Fitzgerald.