Hero/Banner of 26-27 season productions
26-27 Studio East Season
Stage and screen collide. Magic ensues.
Finances will never be a barrier
We’re committed to making sure production opportunities are accessible to all, and that tuition costs are never the reason a student misses their moment. No intrusive questions or lengthy paperwork required.
2026-2027 Mainstage Auditions
Find yourself in a new story
Auditions ask you to take a chance on yourself. We’re here to help you step into character. Explore Studio East audition opportunities for ages 6-20 and join productions where you’ll learn core performance skills and stage management direction from industry professionals.
Audition Resources
Nerves are normal but they should never hold you back. Keep the butterflies in check with these useful tips, prep strategies, and materials.
Sample audition materials
Use these sample audition materials to prepare for your next audition. Choose from a variety of monologues and song samples.
Audition 101
Everything you need to know auditions, including:
What to wear
How to write your resume
Theater terminology
Theater etiquette
How to prepare a monologue
Big Ideas, Real Impact.
Big Ideas, Real Impact.
Big Ideas, Real Impact. Big Ideas, Real Impact.
Young Frankenstein
Age: 15-20
Auditions September 15-16; Tickets on sale October 5
Learn more about roles and what to prepare for your Audition [link]
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Book by Mel Brooks and Thomas Meehan
Music and Lyrics by Mel Brooks
Original Direction & Choreography by Susan Stroman
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Directed by X, Choreographed by X, Music directed by X
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From the creators of the record-breaking Broadway sensation The Producers, comes this monster new musical comedy. The comedy genius, Mel Brooks, adapts his legendarily funny film into a brilliant stage creation – Young Frankenstein!
Grandson of the infamous Victor Frankenstein, Frederick Frankenstein (pronounced "Fronk-en-steen") inherits his family's estate in Transylvania. With the help of a hunchbacked sidekick, Igor (pronounced "Eye-gore"), and a leggy lab assistant, Inga (pronounced normally), Frederick finds himself in the mad scientist shoes of his ancestors. "It's alive!" he exclaims as he brings to life a creature to rival his grandfather's. Eventually, of course, the monster escapes and hilarity continuously abounds.cription -
Callbacks: September 18-19
Mandatory Meet and Greet: Tuesday, September 22, 5-6 PM
Rehearsal: September 22 - October 22 | Tuesdays-Thursdays, 5-8 PM; Saturdays, 12-8 PM
Tech Week: October 24-29
Performances: Friday, October 30 - Sunday, November 8
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Tuition: $1,000. Cost will never be a barrier to arts education at Studio East. Learn more about tuition assistance, including work study and volunteer options here.
A Christmas Story
Age: 9-20
Auditions October 2-4; Tickets on sale October 19
Learn more about roles and what to prepare for your Audition [link]
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Book By Joseph Robinette
Music And Lyrics By Benj Pasek And Justin Paul
Based On The Motion Picture A Christmas Story
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Directed by X, Choreographed by X, Music directed by X
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A Christmas Story The Musical is Broadway’s musical comedy gift! A boy named Ralphie has a big imagination and one wish for Christmas, a Red Ryder BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, the dogs stealing the turkey, a cranky department store Santa and a triple-dog-dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream. Based on the classic movie, this musical captures holiday wonder with funny and heartfelt songs, show-stopping dancing, a pair of mischievous dogs, delicious wit and a heart of gold!
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Callbacks: October 2-4
Mandatory Meet and Greet: Tuesday, October 20, 5-6 PM
Rehearsal: October 20 - December 5 | Tuesdays-Thursdays, 5-8 PM; Saturdays, 12-8 PM
Tech Week: December 6-10
Performances: Friday, December 11 - Sunday, December 20
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Tuition: $1,000. Cost will never be a barrier to arts education at Studio East. Learn more about tuition assistance, including work study and volunteer options here.
Concerned about tuition costs?
We’re here to make sure finances are never a barrier.
Thanks to our generous partner, 4Culture, we provide tuition assistance so that students can access educational and performance opportunities! Apply for any level of assistance that your family needs. We do not ask for financial documents.
Homeschool Mainstage Theatre Program
A theatre home away from home
One of the best parts of homeschooling is the flexibility to explore performing arts as a part of ongoing educational enrichment. Studio East provides months of training, stage direction, resources, and community, concluding in a fully produced show with tickets sold to the public. Students of all experience levels are welcome to participate.
Need a refresher on theatre lingo? Check out our FAQ page.
2026-2027 Production
Guys & Dolls Jr.
Age: 13-20
Register now through October 15 [link]
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Book by Abe Burrows & Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
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Directed by X, Choreographed by X, Music directed by X
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Set in Damon Runyon's mythical New York City, Guys and Dolls is an oddball romantic comedy. Gambler, Nathan Detroit, tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they've been engaged for fourteen years. Nathan turns to fellow gambler, Sky Masterson, for the dough, and Sky ends up chasing the straight-laced missionary, Sarah Brown, as a result. Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, Cuba, and even into the sewers of New York City, but eventually everyone ends up right where they belong.
Frank Loesser's brassy, immortal score makes Guys and Dolls a crowd pleaser. The large cast features both a variety of ensemble and star roles. With a great collection of production resources from MTI, this highly producible show is a treat for audiences and performers of any age.
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Full production schedule can be found here. [Link to external calendar]
Callbacks: All students who register will receive a part in this production.
Mandatory Meet and Greet: Friday, October 16, 10-11 AM
Rehearsal: October 16 - April 30 | Fridays, 10 AM - 12 PM
Tech Week: May 7 - June 11
Performances: Saturday, June 12 - Sunday, June 13
Auditions & Tuition
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Everyone gets a role: There are no formal auditions. Instead, you register and then “audition” for the first few rehearsals beginning in October. Following initial exercises with the group and director, students will be assigned roles based on current and potential skills.
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Tuition: $1,000: Please know that cost will never be a barrier to arts education at Studio East. We work with all families, no matter their financial situation, so that students can access educational and performance opportunities. Learn more about tuition assistance, including work study and volunteer options, here.
June 2026: School of Rock brought down the house in two nearly sold-out performances!
Behind-the-Scenes Opportunities
Backstage Opportunities
Learn what it takes to bring stories to the stage.
Some of theatre’s most valuable lessons—teamwork, project management, creative problem-solving—are learned behind the scenes. We offer young people multiple points of entry to the backstage world so they can identify and pursue what interests them most.
Advance through the world of theatre tech
Our tech training program for ages 12-20 allows students to progress from strength to strength in the art and science of theatre. This program is free to join—no tuition required. Paid opportunities begin at the Associate level.
Level 1: Student Assistant
Learn the backstage ropes shadowing crew members and learning from mentors within a specific production category (lighting, costumes, etc.)
Requirement to advance: 1-3 shows*
Level 2: Assistant
Continue your training with hands-on project time and added responsibilities, including contributing to show design decisions with mentors.
Requirement to advance: 1-3 shows, potentially following season conclusion*
Level 3: Associate
Heavily contribute to show design, proactively take on production tasks, and continue your training with trusted mentors and leaders.
[money/paid icon?] Paid stipend or work study hours available.
Requirement to advance: 1-3 shows as Associate*
Level 4: Lead Designer
Own the creative direction in your category of interest, managing projects and team members to achieve your vision, while still receiving mentorship.
[money/paid icon?] Paid stipend or work study hours available.
Advancement opportunities: TBD; progression through our Homeschool or Bard Series to Mainstage would be expected.
* Or as determined by Studio East’s Artistic Director
Ready to complete our tech training interest form?
Please know that success doesn’t depend on the level you reach, it’s about gaining a deeper understanding of theatre, pursuing your interests, and contributing to the team. We can’t wait to work with you!
Take on a production leadership role
Ready to become the leader running the room, fitting the costumes, blocking the show, and giving notes after rehearsal? Our Second Stage productions allow teens ages 15-20 to translate their theatre experience on- and off-stage into leadership roles including Director, Choreographer, Music Director, and more!
This free program helps teens see what goes into managing a professional production under the supervision of in-house mentors.
Disney’s Finding Nemo KIDS
Age: 15-20
Apply to join the creative team, now through April 1, 2027
[Learn more about the show] [Leads to anchored point on audition page]
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Book by Abe Burrows & Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
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Directed by X, Choreographed by X, Music directed by X
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Set in Damon Runyon's mythical New York City, Guys and Dolls is an oddball romantic comedy. Gambler, Nathan Detroit, tries to find the cash to set up the biggest craps game in town while the authorities breathe down his neck; meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they've been engaged for fourteen years. Nathan turns to fellow gambler, Sky Masterson, for the dough, and Sky ends up chasing the straight-laced missionary, Sarah Brown, as a result. Guys and Dolls takes us from the heart of Times Square to the cafes of Havana, Cuba, and even into the sewers of New York City, but eventually everyone ends up right where they belong.
Frank Loesser's brassy, immortal score makes Guys and Dolls a crowd pleaser. The large cast features both a variety of ensemble and star roles. With a great collection of production resources from MTI, this highly producible show is a treat for audiences and performers of any age.
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Apply for Creative Team: Now through April 1, 2027
Creative Team Interviews: April 1-15, 2027
Cast Auditions: May 2027
Rehearsals: MONTH DATE - MONTH DATE | DAY-DAY, X-X PM
Tech Week: MONTH DATE-MONTH DATE
Performances: DAY, MONTH DATE - DAY, MONTH DATE
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FREE
Our Annie KIDS success story
[body copy + stats icons/graphics]
February-April, 2026
2 casts of 25+ 6-13 year olds
8 weeks and 33 hours of rehearsal
615 tickets sold across 6 shows
Production FAQs
Theatre Terminology
Help, I don’t speak theatre (yet).
[Body copy– Informational page: https://raleighlittletheatre.org/get-involved/volunteers/theatre-jargon/ ]
Knowing the language of the stage is essential for anyone serious about pursuing performing arts opportunities. If you’re new to the theatre world OR you’re a parent getting urgent texts like “I forgot my sides and callbacks are in 5!!!”, we’ve got you covered.
Core production terms:
Pre-Audition: The preparation period before auditions when students learn about the show, review audition materials, and practice their performance.
Audition: A performance or presentation used to determine which role(s) a student may be cast in for a production.
Callback: A second audition where selected performers are invited to demonstrate additional skills or read for specific roles.
After cast: The period following cast announcements when rehearsals begin and production work officially starts.
Tech week: The final week of rehearsals when lighting, sound, scenery, costumes, and other technical elements are integrated into the show.
Call time: The specific time a performer or crew member is expected to arrive for rehearsal or a performance
Blocking: The planned movement and positioning of performers on stage during a scene.
Booth: The area where technical crew members operate lighting, sound, projections, and other production equipment.
Stage left: The left side of the stage from the performer's perspective while facing the audience.
Stage right: The right side of the stage from the performer's perspective while facing the audience.
Strike: The process of dismantling and removing sets, props, costumes, and technical equipment after a production closes.
Techies: A casual term for the students and volunteers who support the production through technical theatre work.
Up stage: The area of the stage farthest from the audience.
Down stage: The area of the stage closest to the audience.
Spike marks: Tape markings placed on the stage floor to indicate exact positions for scenery, props, or performers.
Roles + responsibilities to know:
Director: Leads the overall artistic vision of the production and guides performers throughout rehearsals.
Music Director: Teaches and rehearses vocal music, ensuring performers learn and perform the score accurately.
Choreographer: Creates and teaches dance numbers, movement sequences, and staged physical action.
Stage Manager: Coordinates rehearsals, communicates production information, and oversees backstage operations during performances.
Cast: The group of performers selected to bring the story and characters to life on stage.
Technical Director: Oversees the construction, installation, and safe operation of scenery, equipment, and technical elements.
Lighting Director: Designs and manages the lighting that supports the mood, visibility, and storytelling of the production.
Costume Designer: Creates or selects costumes that reflect each character and support the overall production design.
Stage hands: Crew members who assist with scenery changes, props, and backstage tasks during rehearsals and performances.
Artistic Director: Provides overall leadership for a theatre program, helping select productions and guide its artistic identity.
Marketing: Promotes the production through advertising, social media, community outreach, and audience engagement.
Tuition costs + Tuition assistance
Tuition costs: The participation fee associated with the theatre program. Tuition helps cover expenses such as instruction, production materials, costumes, licensing fees, technical equipment, and other program costs.
Tuition assistance: Financial support available to help make participation accessible for all students. Families who may need assistance with tuition costs are encouraged to apply, no financial documentation required, and to contact Studio leadership to learn more.